A native of Connecticut, Jimmy Greene is one of the most respected saxophonists of his generation. He tours internationally and appears at storied clubs and festivals with his own groups and as a member of the Ron Carter Quartet. He has also toured and/or recorded with Horace Silver, Tom Harrell,

Based out of Astoria, NY, Steve Kortyka is an accomplished mulit-instrumentalist, composer, educator and full time performer. He is a main member of the Brian Newman Quintet/Quartet, one of NYC’s modern working bands currently holding a residency at The Jazz Club at the Aman hotel. Since graduating from the Cincinnati

Hailing from the remote location of Perth, West Australia, saxophonist and multi-instrumentalist Troy Roberts has received numerous accolades including three DownBeat SM Jazz Soloist Awards, two Grammy Nominations, and was semi-finalist in the 2008 Thelonious Monk International Jazz Saxophone Competition. Graduating with a Bachelor of Music at the young age

David DeJesus is a multiple Grammy Award winning saxophonist and bandleader from Brooklyn, NY who has established himself as a key player in numerous bands in various genres. In Jazz, David has performed with the Village Vanguard Jazz Orchestra, the Mingus Big Band, the Dizzy Gillespie Alumni All-Stars, and Jimmy

Saxophonist, composer, and producer, Dakota Austin, hailing from Burlington, Connecticut is a particularly profound, cultured, multi-faceted thinker, who applies his intelligence to all things musical that he takes on. He had the ambition to become a musician at a very young age which led him to attend The Artists Collective,

Saxophone Saxophonist, composer and recording artist Kris Allen was born and raised in Connecticut. He began musical studies at an early age, but his desire to pursue a life in jazz was catalyzed by an apprenticeship with legendary alto saxophonist Jackie Mclean, first at Hartford’s Artists Collective and later at

SAXOPHONE “Something about the sound Mike DiRubbo elicits from the alto saxophone – deep, dark, immense, with a machete edge that denotes a ready-for-anything urban sensibility – immediately grabs the ear. It’s a sound familiar to the cream of New York’s hardcore jazz community since the mid-‘90’s” – writes Ted